(Trans)capes use the emulsion layering technique of duotone cyanotypes to create other-worldly landscapes that represent the trans experience. Each portrait of a tree is representative of the natural female engaging with the artificial masculine.  In (Trans)capes I replace the transitioning body with changing trees and focus on the intrusion of the man-made into the natural. Through this replacement, my body parallels nature creating another form of documentary self-portraiture.  

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